The Dirty Road to Finding Writer’s Validation

The bliss in that first taste soothes my soul.

It’s six ounces of Ketel One vodka with a dribble of brine. Not the nasty liquid that comes out of an olive jar, but twice filtered brine from premium olives. This subtle saltiness takes the bite of the vodka down a notch to pleasurable, an inviting clean crispness that sterilizes my insides and satisfies the palette.

This drink and the art in making it is what symbolize the end of an arduous day, or not so arduous, a ritual nonetheless.

It’s a beautiful thing, the vodka martini. Even the word vodka sounds terribly exotic, so undeniably Russian. I’m wearing a sable hat, standing amid the tundra, my breath streaming before me in smoky condensation as I set my implements about—the cocktail shaker, ice, olives, pick, the 1.75-liter bottle that takes the support of my two hands to pour it.

I was introduced to “the dirty” when a high school girlfriend mixed one up for me during a girls’ weekend. The memory of its taste and influence to seduce my mind into peaceful waters remained dormant, however, until I hit a stretch of unbearable time, some four years later, when I had been writing long and hard without any validation or ounce of fruition.

I’d bleed all day long over the page, feel isolated having abandoned my corporate career, determined to make something of myself writing. What I found in my dear friend, the dirty, was a form of self-medication—a crutch, a reward—the delightful anesthesia that numbed the anxiety of feeling like a failure, the taking of a wrong turn.

Alcohol is the anesthesia by which we endure the operation of life. ~ George Bernard Shaw

The thing, too, that’s commendable about drinking the dirty is it gets you to where you’re going, fast. And instead of looking like a thirsty drunk, you can do the deed looking poised like Holly Golightly, long stem glass high in hand, three beautiful olives appearing larger than life through the condensation between the rim and where you’ve already sipped away.

The art, the sophistication, the ritual—its downright writerness.

I am a seasoned, one per night, quite functional vodka martini drinker. To some that may not sound bad, but I know what my physician would say and I’m staying clear of her exam room.

The margin, however, between quite functional and fully functional is a subject to be questioned. Especially since I’ve transitioned to drinking the dirty straight, aka “sans the dirt.”

Certainly, the “advantage” here is to be numbed from pain, some sort of intolerance for various fragments of life, the daily grind. The detriment, in the slightest incremental stages that’s widening the margin, is found in a loose tongue and the voracious appetite that follows in the martini’s wake; the inability to read before bed, remember little things in the morning.

The detriment, the slippery slope, is outweighing the advantage.

The latter is evidenced in my ever-expanding girth and my two arms, which now resemble loaves of bread. For the martini, the escape it brings, frees me to consume a serving fit for Pat’s defensive tackle Alan Branch. Sugar and salt begets more sugar and salt.

And chicken parm tastes best when complemented by what?

A robust red wine—two glasses worth.

But it’s stops there, right?

Nope.

With an overstuffed belly, a shot of Remy Martin in a handsome snifter comes afterward. I’ve had a love affair with food all my life, well-managed through biking my butt off, but throw in this consumption at my age, it’s gonna lead to the end of me.

Obese essayist dies of ever-consuming consumption: she drank and ate herself to death, despite what she’s thinks, not so artfully.

Shakti Gawain, a new age author, whose methods of creative visualization I practiced like a junky when I first began writing, says of validation, “When we consistently suppress and distrust our intuitive knowingness, looking instead for authority, validation, and approval from others, we give our personal power away.”

Sorry Shakti, I just can’t buy that.

I’m wired differently, tethered to the physical. I do not trust my intuition; I don’t even think I have any. I need validation to keep on.

When validation continued not to surface, I began taking in cute and furry animals until a person of well-intention adopted them. The vodka soothed my nerves, caring for the animals gave meaning to my life. I’d be hard-pressed to count the number of lagomorphs and tiny whiskered fur balls that have moved through our home.

Validation, alas, is crucial to my existence.

But, wait!

There’s a change blowing in the proverbial wind. Yes, siree! I no longer a need to anesthetize myself to endure the operation of life. I’m quitting the vodka—although I’m on the third bottle beyond the one that was to be my last.

I’m gearing up, you see.

Why, might you ask, am I “suddenly” willing to give up my dearest friend, the martini? The beautiful thing that took me away from reality; facing the endless number of untethered days ahead of me?

Because my essays are starting to get picked up. There’s the validation, the essence of what I’ve been striving for. No more crutch needed.

And you know what?

Getting published, I find, tastes as clean and pleasing to the palette as the vodka.

And, by God, it’s healthier!

It is the dawning of my intended existence.

Right now in fact I’m crafting a new essay on the writing life with Suzanne, my coach, an accomplished individual with street cred who validated my existence long before I was born and frightfully knows me better than myself.

We have a lot of things in common she and I. Except outside of writing, she’s not obsessed with the martini—she’s obsessed with yoga.

Yoga sounds so wholesome, doesn’t it?

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Lisa has been publishing essays for five years on the writing life, sex and relationships, and her love for horses, dogs and cowboy country. One of her essays appeared in the IPPY-award-winning anthology Unmasked: Women Write About Sex and Intimacy After Fifty, published in 2017. She lives near Boston, where she rides horses and commutes by bike to her job writing and editing technology blogs for Dell Technologies. She is currently pitching her memoir Calamity Becomes Her to literary agents and is at work on two sequels. You can contact her at lisa dot demasi at gmail dot com.

How the Loss of this Small Creature Hit Me Big

I am looking at Sabrina. Her head is hanging out the window and the air is moving beneath her floppy ears, giving rise to them in a way that suggests her body is capable of flight. She makes my heart feel lighter, her being so free, finding joy in simple things.

The fruity fragrance from the pine trees that pass in my periphery along the road departing from the Weston Reservoir penetrates the air. A grand estate appears. David Gilmore’s voice fills the car; he’s singing “Poles Apart,” accompanied by his faithful guitar. His words are deeply personal and introspective and each line advances me to the next moment. I can see his fingers strumming each chord.

I had left the house an hour and change before, worrying about the chilly temperature, the state of the ground. If I’d be able to dig into the soil. The Reservoir, one of our favorite haunts, is where I intended to bury one of our beloved “girls” after visiting the vet.

The last three weeks had been difficult, watching her struggle, losing the ability to groom herself and topple over; her body emaciated. I knew the day was coming—when it was up to me to play God and snuff out her remaining life. It had eaten away at me, causing me to dream images of her body’s decay from the inside out. She, “Bobbin,” is a favorite among our rescued menagerie; rides atop my shoulder as I do chores around the house, a pet rat that shows me affection like any dog or cat might.

Let me interject a matter of opinion here: I am not some weird lab geek or a questionable hermit with a strange fetish. I hold an advanced degree and am attractive athlete, very feminine, hail from an affluent area, and here to tell you, rats make great pets.

Especially those rescued from a hoarding debacle.

I had arrived at the vet around 9:00, having made a shaky-voiced call, indicating my decision to put her down imminently only twenty-five minutes before, checked in and sat down on the bench in the reception area. The clinic was busy, chaotic. Sabrina put her head on my knee, a gesture that indicated, I’m here for you, Mama. Cradling Bobbin in my hands I envisioned golden light surrounding her and tried to help myself feel better by taking deep belly breathes and blinking away my tears.

Bobbin

And we all know little compares to the emotionally-charged vibe when sharing a vet’s reception area with someone who is sitting there, tears streaming down his or her face, holding their beloved pet, waiting to be called into a room where it will be euthanized.

The cat and dog people around me didn’t understand that I happen to be that person during this particular visit. “What’ve you got there?” An elderly man asked, a Yorkshire Terrier at his feet, yapping. Four other people, wanting to satisfy their own curiosity, looked my way. “A rat,” I whispered, “she’s dying.”

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Why I Don’t Regret Having Kids

We’re seated by the gate at Logan, held captive by the airline’s whim, watching a steady stream of disheveled passengers walk or dash by, but the place remains stale and lifeless somehow.

Until a little princess, right out of a storybook, toddles into the seating area of our gate. She is unhurried, functions in her own dimension, immune to the chaos, the germfest, the push to get to point A to B.

Her presence casts a tiny spell on me. My book collapses into my lap. I’m drinking her sweetness in: a beautiful, clean-faced, bright-eyed little girl—a gene pool homerun.

What would my path have looked like with children in it?

Rarely do I question my decision to forgo becoming a vessel of reproduction. My goal in life was to become CEO of a wildly growing company, not wiping little beasties’ noses. I even left my husband when he wanted them. But as sometimes happens, this delightful girl seems to be showcasing my poor decision. She looks like what I imagine my little girl would have looked like had I not married my dark-haired husband of 5’7” with a 27-inch waistline, but Bob Redford.

Not to mention that I never did become the CEO of wildly growing company, and the jobs I have had have been sort of wildly unsatisfying.

I watch her, feeling that regret wash over me. She stands on sea legs between her mother’s thighs, crunching Cape Cod potato chips with less than perfect execution, savoring what makes it into her mouth. She babbles, a form of self-engagement, and randomly feeds “Kit-Tee,” a wide-eyed cat peering out from a crate on the floor.

Women of all ages watch her, heads cocked, wearing expressions of maternal yearning, remembrances, maybe regret, like my own.

I bet she still has that baby smell thing going on. You know, like puppies.

I surmise, too, that Zoe’s recently graduated from applesauce and whipped franks to adult food. And now, I think, and a disgruntled flatline my mother used to wear when I was in high school settles on my lips, her parents are giving her junk food, creating an unhealthy palate and a rhythmic type of oral indulgence.

I elbow Dennis. “If that sweetness were mine, I’d give her a hard cooked egg and fruit to eat, not crap food.”

He eyeballs Zoe for a nanosecond, nods and returns his gaze to his handheld.

I think of the other things I’d feed Zoe: Greek yogurt, kale crisps (much softer than potato chips), hummus, non-GMO whole grain crackers, organically grown vegetarian stuff.

And then, Zoe begins to choke.

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7 Reasons You’ll Love this Cat Like I Did

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It’s Friday night and I am sitting down to dinner. I want to relax, delve into an episode of Breaking Bad and savor my meal in peace. My beloved cat Jontue is gone. The salmon on my plate is safe. The soft tissue interior of my nose is not in danger of being ripped by her ferocious forepaw. My cheek won’t be swatted at either. And no one is staring at me with the intensity that could move a mountain.

I miss that someone.

That “fur person” as May Sarton said.

I first spotted Jontue in a pet store, a small kitty in a huge enclosure all by her lonesome, crying out for my attention as I shopped for cat food. I already had four at home. But this one’s eyes were pleading take me; I need love. Those eyes also said, I can love you too.

Of course you can, little cat.

A strange looking thing, Jontue was six months old and resembled a prehistoric creature with her brindled coat, fangs, and wiry tail. Exotic or not, no one wanted her. I understood this all too well. So I paid an extraordinary amount of money for the pure breed Cornish Rex because she needed a home, someone to take care of her.

She entered my life when I was particularly vulnerable and lonely; she captured my heart and I like to think I captured hers. Over the years, I’d come to know Jontue so well. She was a cat driven by instinct and visibly affected by subtle shifts of energy. She was small and silky-haired and stuck close to me at all times. She was also needy and affable. She liked to hold my head in a firm grip with her paws and lick the tip of my nose.

Jontue was my last live connection to the desert, another planet called Tucson, the barren landscape where I lived a few difficult years in my early thirties in personal chaos. She was the fifth cat I adopted during those years when I was living by my lonesome and she was like all others in this one way: they were all abandoned and unwanted.

That is, until I came along and laid claim. I adored all five of my cats. Jontue held an especially beloved place in my heart.

She was my protector, my nurse and deeply in tune with how I was feeling. When I’d cry myself silly or stare off into space feeling blue, she’d whack my cheek as if I was in a diabetic stupor. Mama, snap out of it. Caring for her and the other cats gave me the reason to drag myself out of bed at times when I was overcome with illness and depression, those heavy burdens of being human. When these feelings took over Jontue knew and she came and offered all she could: her soft coat to pet, her warm body and a purr, her kind eyes holding mine for a moment before looking away.

I’ve met many irresponsible people in my life but never an irresponsible cat.
—Rita Mae Brown, author of Pawing Through the Past: A Mrs. Murphy Mystery

Jontue even made living in Tucson at times fun. She got frisky when she had a productive #2 and frolicked out of the litter box and across the kitchen tile floor like a filly with a belly full of bedsprings. A supreme hunter, she dismantled geckos in the apartment, danced about with flesh-colored scorpions, and swatted down flying insects with incredible precision (inside the apartment). Outside, she could leap six-foot fences in a single bound. Nimble, she was! Continue reading

What Happened When I Did Reiki on My Conservative Mom

Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it. ~ Rumi

My mother and I are in her bedroom. I have the rare opportunity to administer healing energy to her, an act that will draw us together—physically, emotionally, spiritually. We are awkward about touching one another; emotionally, we don’t discuss matters close to the heart. The idea of God and a Higher Presence is strictly private.

This is the nature of our relationship, dictated by her upbringing.

Overwhelmed at the prospect of laying hands on her, I ask her to lie down on the bed. I recall when I needed her support and love—when I first got my period, the aftermath of boyfriend breakups, amid broken bones and excruciating pain—and she conveyed little.

Her convictions, tainted by my bouts of rebellion, are as big as a mountain.

I enrolled in learning Reiki with infamous Libby Barnett when writer’s block saturated every molecule of my body. Explaining the premise of the healing art to my conventionally-minded parents was like conveying Einstein’s theory of relativity in Swahili.

I read their expressions like an open book.

They figured, like my memoir writing, practicing Reiki was an escape from reality—another endeavor to keep me from returning to the workforce. But to counter their belief, I didn’t offer to demonstrate the various Reiki positions on them—I felt defenseless against their skepticism; this most recent act to sabotage their “please-just-do-the-right-thing” campaign.

On top of it, my dad mispronounced Reiki. No pun intended, he called it “wreck-ee.”

The whole notion of “healing energy,” however, must have taken up residence in my mother’s mind. For a week later, as we were getting out of the car, she asked me to do Reiki on her.

I panicked. Slithered down the driver’s seat like Bugs Bunny doomed in fighter aircraft; blurted some excuses. “I can’t do Reiki on you, Mom. I don’t have my massage table.”

“That’s okay, I’ll lay on my bed.”

“But I don’t have my Reiki playlist.”

“We’ll do it without it.”

“But, I don’t have my sage candle.”

“I don’t need a sage candle.”

“But, Mom, I don’t—”

“Let’s try it anyway.”

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5 Tips to Finding a Writing Coach Who’s Right for You

Do what you love may be the most overused advice in the career-improvement world.  A blogpost on the complexity of this directive went viral on Jacobin a year or so back, it was shared 57 thousand times on Facebook and riffed about in the New York Times Opinionator by Gordon Marino.

I know all this first hand. Once upon a time I turned my back on a half-finished MBA and a corporate job with its maddening pace and rigid hierarchy. The fact that my boss gave my job to her newly unemployed husband didn’t help. I escaped to do what I loved. In my case the passion was writing.

The act of quitting made me subversive. And that alone fueled creative expression. I mapped out chapters, the content. Figured I’d have the manuscript written in six months, employ an editor, find an agent, become a best seller, Oprah would call, the whole bit.

Four years later, I found myself gazing into my monitor not knowing whether to put a period at the end of the sentence or keep going with a comma. I’d lost my home in foreclosure, gone bankrupt, written 300,000 words, revised the body of work four times. And while I was slurping away at my second or maybe 87th Cosmo, I understood what I was really missing, a mentor. A guide. A coach. Someone who’d gone before, knew how to shape art into something saleable and would come along with a tribe of like-minded people with whom I could collaborate. I didn’t want to go back to school. What I was looking for was beyond the confines of academia. I needed someone to touch what the poet Mary Oliver called the “wild silky” part of myself and, finally, make it palatable to the world.

Mentors are necessary. Hemingway had Stein, Beethoven had Neefe. The true challenge once you know the secret lies in finding a mentor is how to find that coach who can make your passion work in the world. This is like how to find a raindrop in a rainstorm. There are thousands of coaches out there. They’re like doctors and lawyers. But here’s what I learned (the hard way): some coaches are competent, some are lousy, even soul crushers. I dropped coins in wishing well after wishing well. One wore a floral patterned dress that matched her bonnet and tried to make me into a mystery writer; another one was always throwing theories at me I couldn’t apply; one promised me the stars, took my money and then never contacted me again.

Suzanne, my mentor and writing coach.

How do you find your coach?

Here are five helpful hints for the girl or gal who wants to (or maybe has) dropped everything to do what she loves:

  1. Go with the gut. Have a bad feeling even though her website’s copy seems like a projection of everything lying dormant in your heart? That’s your intuit talking. Run. There are too many fantastic coaches out there who have integrity and know how to move you forward.
  2. She’s part of your tribe: if you see her write a post in a publication you love or show up in a group on social media with whom you share a vibe, chances are you have similar taste, so you might want to take a shot at it. I found my coach through my Reiki teacher. My coach had helped a fellow Reiki student get an agent and a book deal. She’s now distributed with Random House, has been on NPR, has speaking engagements, the whole nine yards.
  3. She has street cred and success: When I went on my coach’s website, she had testimonial after testimonial from people who had published books, made a career out of writing, had gotten bylines with top media outlets and had life changing experiences after being with her. She was also successful in her own right. An internationally-acclaimed author with lots of kudos to her name, she’s made her living writing, which is what I wanted to do and so I knew she could trail blaze a path.
  4. She gets you, every single part of you. The secret to my coach’s success is that she works in the Gateless writing method, a very specific method based on brain science, craft tools and community that moves creatives to places they’d only imagined. Through this method, she helps all of you rather than just the part of you working on your craft. That divorce you haven’t quite gotten over? Could be a barrier to next step on your career path. The trauma you suffered as a child might be the thing that needs to be coddled before you begin to really allow yourself to go big. Make sure your coach isn’t just about deliverables, numbers, list building, ideal clients and great gallery gigs.
  5. It doesn’t happen overnight: I know, this one sort of sucks. But anyone who promises you the world in thirty days or even six weeks isn’t really helping you make lasting change. It took most of us years to get here and the true unraveling and resetting can take a while to grab hold. Something magical did happen with my coach, everything my shaman has been teaching me about the process absolutely broke through, and while it felt like it happened overnight, it’s too deep and long lasting for that. Now I feel seasoned at this writing thing. But first I had to undo a lot of the conditioning I’d learned in my corporate gig.

Since working with my coach I’ve been shortlisted for prizes, published in the top online media outlets and have been picked up by prestigious lit journals, but more than that? I understand that often those who fail at doing what they loved just didn’t have the guidance they needed to learn how to soar.

What will you do today to obtain the guidance you need to succeed?

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Lisa holds a Master Certificate in Reiki. She has been publishing essays for five years on reiki, the writing life, sex and relationships, and her love for horses, dogs and cowboy country. One of her essays appeared in the IPPY-award-winning anthology Unmasked: Women Write About Sex and Intimacy After Fifty, published in 2017. She lives near Boston, where she rides horses and commutes by bike to her job writing and editing technology blogs for Dell Technologies. She is currently pitching her memoir Calamity Becomes Her to literary agents and is at work on two sequels. You can contact her at lisa dot demasi at gmail dot com.

Bun-Bonding Sweetness: The 2-Minute Vid You Can’t Miss!

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Awww, was just going through some blog archives and discovered I never published this little video of bun-bonding sweetness! We miss fostering our rescued house rabbits!

Some Info on Bunny Bonding: “Love Is in the Air – Sorta”

Introducing two new rabbits and trying to get them to live happily together or “bond” them can be a problematic process. A “quick” bond is two weeks. Three months is not unusual. Don’t get discouraged. Remember, YOU are the primate with higher brain function and opposable thumbs. Most rabbits can be bonded, given enough patience and effort on your part.

You may be advised to take the rabbits on a drive in the car. The general idea is to stress the rabbits so that they turn to each other for comfort and forget their territorial and dominance disputes. Using a car for this purpose is falling out of vogue for two reasons. First, it’s dangerous as the rabbits are harder to mange in a moving vehicle. Second, it requires two people, one to drive and the other to handle the rabbits. Finally, there are easier ways to do the same thing at home. If you have a cloths washer, you can put the rabbits in a basket on top of the washer during the spin cycle. Keep a towel handy to throw over the rabbits if they start to panic, and keep a tight grip on the basket.

An even easier trick is to put them in a cold dryer.  No, you won’t be turning it on. You’ll just out them in the dryer, and if they start to make a fuss, turn rotate the drum slowly by hand. This will be enough to keep the rabbits on an uneven footing and will allow you significant control over the situation. As a bonus, the steel drum of the average dryer will be easy to clean in the event of territorial wetting or pelleting. Side loading washers are generally too damp for this purpose, and rabbit claws can catch, bend or break in the drainage holes that line a washer’s drum. Simply putting the rabbits in a clean, dry bathtub will also provide a slippery footing and neutral territory.

“Bunny Bonding, Love Is in the Air – Sorta” is sourced from House Rabbit Network’s blog.

Please visit House Rabbit Network’s blog or Facebook Page for more information on house rabbit adoption, fostering or rabbit care. You can tell ’em Lisa sent you!

The 50 Goats that Made My Heart Smile

If you’re feeling blue, get yourself a good dose of goat lovin’ at Big Picture Farm in Townshend, VT, 17 miles northwest of Brattleboro. BPF is an Animal-Welfare-Approved farm and it’s evident that the health and happiness of the animals is the center around which the farm and farm products revolve.

On Sundays afternoons, you can sign up for a 3:00 appointment to meet these beautiful girls and learn everything about them from BPF’s apprentice. We signed up this past Sunday with a $10 donation per person to support BPF’s retired goats, looking to visit a working farm on a mild and sunny day during the height of leaf-peeping season.

Kid “Meridian.”

The farm is well-maintained and expansive and includes an 9-bedroom farmhouse Airbnb. (I’m counting 8 people I can invite to stay there right now.) It is a gorgeous property, a mile up a dirt road and the sort of place I’ve been known to runaway to and pick up vocation for months at a time.

We were greeted by the Farm’s apprentice, Kathryn, a young, wholesome 20-something student (the kind a 50-something year old woman invariably envies) from Austin who was incredibly sweet and friendly. She invited us to enter the paddock as she greeted other guests and just as Dennis and I meandered a few feet in, Ginger and Luna approached me and gently rubbed their noses at my waist in an affable hello. I immediately sank down to one knee for closer contact.

Ginger and Luna officially welcoming me to the herd.

Kathryn informed us of a day-in-a-life of the goats, and interesting and fun facts. Like, you see in the picture how Ginger and Luna’s collars are different colors? The color signifies family members. Ginger’s collar is green – any goat wearing a green collar is either a mother or daughter or sister of that family.

Isn’t that cool? Why can’t I think of clever things like that?

American Cheese Society (ACS) award-winning scrumptious Haiku.

When we were able to tear ourselves away from the goats’ endearing demeanor (I could have easily planted my butt on a rock in the sun where I could have communed with them for another couple of hours – Dennis, on the other hand, was ready to move on), we were in for another treat. Haiku cheese, caramels and dark chocolates made from the goats’ milk!

To say I was “enraptured” by the taste of the cheese falls a galaxy short on the scale of its yummy goodness. It’s raw and unpasteurized and scrumptious. I’m saving the candy to share with the fam, but I couldn’t get enough of that cheese.

It’s to die for!

I remarked to Louisa that the farm’s website and their product packaging is creatively fresh and super-duper. She responded that she and her husband collaborate on the design and that they love that part of their jobs.

Elvis, one of three guard dogs, who keeps the coyotes at bay, was irresistible too.

And, I’m not kidding about this great opportunity BPF’s apprentice told us about. In the spring, the farm hosts “Kidding Weekends.” Hey, it’s not comedy relief! It’s an experience where guests can come and stay on the farm in the height of the goats’ birthing season.

Holy Delicious Goaturtles, I was so excited about hearing this that once back in the car and having secured my precious foodstuffs from dog-Sabrina, I emailed Louisa, one half of the wife/husband “goat dairy and farmstead confectionery and creamery” team, asking if I could sign up immediately.

Hi Louisa, OMG, OMG, OMG! I want to come up to stay for the birthing season!!! Can I arrange for that now??? I would love, love, love that!! Can I? Huh? Can I?

“June Bug” leaning in to smooch Kitty.

Louisa patiently responded some time later telling me to subscribe to the Farm’s newsletter where the Kidding Weekend would be eventually announced. She did not react to my over-the-top reaction (well, I wasn’t there to actually see her reaction) nor did she address my dire need to sign up well before the event has been planned.

Looks like I’m gonna have to wait it out, no kidding.

What’s stopping you from heading up to southern Vermont on a Sunday afternoon to meet the herd? Or booking a family reunion at the Airbnb, which to date has received thirty-five 5-star reviews?

Contact Louisa here for more information. You can tell her Lisa sent you (if you paraphrase the email I sent to her, I’m sure she’ll remember me).

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Lisa holds a Master Certificate in Reiki. She has been publishing essays for five years on reiki, the writing life, sex and relationships, and her love for horses, dogs and cowboy country. One of her essays appeared in the IPPY-award-winning anthology Unmasked: Women Write About Sex and Intimacy After Fifty, published in 2017. She lives near Boston, where she rides horses and commutes by bike to her job writing and editing technology blogs for Dell Technologies. She is currently pitching her memoir Calamity Becomes Her to literary agents and is at work on two sequels. You can contact her at lisa dot demasi at gmail dot com.

 

 

 

 

 

 

The Breakthrough I Witnessed in the Healing Power of Horses

I’m all in for “anything horse.” Riding, grooming, sharing a horse’s space, stroking a muzzle emanating every fiber of love of my being for the creature, whispering sweet nothings into his or her ear.

This weekend, however, I ventured something hands-off—I audited a fundraiser for Wild Hearts Horses for Heroes, a therapeutic equestrian program for veterans. On a gorgeous autumn morning, nearly forty people came together at Indian Creek Stables in Carver, MA—veterans of the Program, participants with unreconciled childhood trauma, and horsey people with their own therapeutic equestrian programs for youth-at risk as far from home as Florida.

Twenty “auditors” assumed seats in chairs that stretched unilaterally across one side of the arena and within three sessions over a six-hour period, we observed Tim Hayes, renown equine therapeutic clinician and author of Riding Homeask twelve individuals to perform groundwork tasks with their horse-partner to attain increased self-awareness and healing over a past traumatic event.

The most moving interaction occurred when Tim asked a former combat veteran (I’ll call her “Sheila”) to pet her horse and lift each of her horse’s feet. This exercise, Tim told us, tends to “bring stuff up.”

“Sheila,” Tim said, “pick up each of your horse’s feet.”

“No,” she replied, adamantly.

The feel-good bubble infiltrating the arena burst. Tim remained close to where Sheila stood, unaffected and relaxed, standing with his hands loosely clasped across his front. His patience was a mile long. Some moments later, he began to probe Sheila for the reasons why she refused.

“I’m nervous and anxious,” she said.

“Weren’t expecting to be in front of all these people, were you?” Tim reasoned.

Sheila began to cry. The two other veterans enrolled in the Wild Hearts program looked on, their hands resting on some part of their horses’ body—neck, withers; identifying with Sheila’s emotions. My heart was breaking.

Tim nudged, “Why are you crying, Sheila?”

“I get overwhelmed when I’m faced with doing something new,” she replied. “It’s too much at once. No one understands.”

“Well,” Tim said, “We can take it slow. We’ll tackle it one foot at a time.”

Sheila stood unresponsive and still for several moments. Then, she wiped the tears from her face and reached for one of her horse’s front hooves and pulled at it. The horse lowered his head, nudged her thigh with his muzzle and lifted his foot. I exhaled the deep breath I was holding.

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How My Writing Was Rejected with Sarcasm Then Got Picked Up Elsewhere

How many times have you heard an editor’s rejection of your work is subjective? Especially from prominent, published writers? You know, the really really big ones?

Receiving rejection, especially over a piece we hold near and dear, is most difficult. Some editor’s feedback is simply cruel and it’s difficult to push through it, their words forming a dark cloud in the writer’s already self-deprecating mind.

There is truly only one super-negative rejection I have received and whenever submitting that piece thereafter (yes, the one near and dear to my heart) I hear that particular editor’s indelibly negative words as I hit the send button, dooming any future hope of publication.

Employ Constructive Feedback

I am here to tell you writers to hold fast – an editor in receipt of that 100-times-rejected piece may someday take the time to shed some constructive feedback that doesn’t shoot a hole in your heart. And Kendra, the editor of The Fiddlehead, did that for me concerning my essay Saboteur. Her feedback triumphed over the not-so-great feedback I had previously received from the editor at The Tishman Review, which read:

Hi Lisa-

We publish prose at The Tishman Review that we feel speaks with emotional depth and substance and that sheds light on the human condition. When I saw your email, to be quite honest, I could not even remember your essay and had to glance over it to remind myself of it.

There is no sense of conflict or tension that has a true stake for the narrator. I could not find a hook to draw me in. The essay is primarily about lusting after someone, and it is a play by play of how this works out. The hotel scene in particular is not very engaging.

For the reader, the friend’s behavior did not seem a betrayal but predictable. Maybe something is missing from the essay to show the friend felt the same way about the essayist or maybe I did not understand this from what is present in the essay.

However, the writing at the sentence-level is strong.

This essay is just did not a good fit for TTR but may well be somewhere else.

Stephen King was told, “We are not interested in science fiction which deals with negative utopias. They do not sell.”

I’m sorry to disappoint you.

Best, Jennifer

Now, Kendra’s feedback which renewed my hope:

Dear Lisa,

Thank you kindly for offering “Saboteur” to us here at The Fiddlehead. I found your handle on word choice made the piece (while already intriguing at its plot) extremely gripping and rich in description. I’m afraid, however, we’re not able to accept it for publication, mostly due to the overwhelming amount of submissions we receive regularly. With that said, I think it has really strong features: the characterization of Lexi, the chemistry she and the narrator have seemingly immediately, the interwoven themes of statistics and its practice. As well, its narrative is very vivid, has great word choice, and is fluid in its movement from one space and time to another. My only suggestion would be to pare back on descriptions of space, namely near the middle to end of the piece (around pages 11-12 particularly) to keep the momentum the piece gains in the first few pages. You’ve got a very strong handle on your craft, so I wish you the very best in finding this and other pieces of your work a good home.

Sincerely,
Kendra Guidolin

Don’t Give Up on Submitting Your Work

Writers, I beg you, keep the faith. Push through the criticism; incorporate meaningful feedback into your work. And don’t kill your darlings! Just rework them!

BTW, Saboteur, has recently been picked up by a new literary journal. The editor advised cutting the last paragraph and I agreed, it read much better!

And take a glimpse at “JK Rowling Posts Letter of Rejection on Twitter to Help Budding Authors” here.

Lisa holds a Master Certificate in Reiki. She has been publishing essays for five years on reiki, the writing life, sex and relationships, and her love for horses, dogs and cowboy country. One of her essays appeared in the IPPY-award-winning anthology Unmasked: Women Write About Sex and Intimacy After Fifty, published in 2017. She lives near Boston, where she rides horses and commutes by bike to her job writing and editing technology blogs for Dell Technologies. She is currently pitching her memoir Calamity Becomes Her to literary agents and is at work on two sequels. You can contact her at lisa dot demasi at gmail dot com.